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Wide Hive Records

Kuon Ganjo:
Time Without Beginning

Legendary drummer Mike Clark continues a brilliant late-career run with “Kuon Ganjo (Time Without Beginning)”, his latest album for Berkeley’s Wide Hive Records. Featuring an all-star quintet largely comprised of the same cast as his acclaimed 2025 release, “Itai Doshin”—Eddie Henderson, trumpet; Craig Handy, tenor sax; Patrice Rushen, piano; Essiet Okon Essiet, bass—“Kuon Ganjo” offers a varied, ceaselessly swinging program ranging from Clark’s favorite standard (“Softly, As in a Morning Sunrise”) to pieces by Rollins (East Broadway Rundown), Monk (Monk’s Dream), & Shorter (Beauty and the Beast). Now on the cusp of 80, Clark is also preparing to publish his autobiography, “God Make Me Funky” (co-written with Bill Milkowski), on Feb 4, 2027, proving to be as no-holds-barred on the page as he is on disc.

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Headshot

mike clark portrait edit

Photo: John Fells

Mike’s Autobiography on Bloomsbury Press, co-written with Bill Milkowski

Out February 7, 2027

Bloomsbury Press

God Make Me Funky: Confessions of a Headhunter and Bad-Ass Buddhist Drummer

As told to Bill Milkowski

Whether or not you know Mike Clark’s name, you’ve heard his drumming. His sound is everywhere, whether in his voluminous jazz discography or the classic beats he laid down with Herbie Hancock and the Headhunters, which have been sampled by Dr. Dre, Grandmaster Flash, and countless other rap artists.

Widely regarded as one of the foremost living jazz and funk drummers, Clark has spent an eight-decade career at the crossroads of American music, working with pioneers and living legends across jazz, hip-hop, and rock ‘n’ roll. From the age of four, he was sitting in and gigging with bands across the South, backing blues legend Albert King while still in high school. Over time, he parlayed his prodigious talent and soaring reputation into increasingly impressive gigs. Along with Herbie Hancock, his collaborators have ranged from pop stars like Phil Collins to jazz royalty like Woody Shaw and Chet Baker.

Told in Clark’s inimitable voice and co-written with American jazz journalist and author Bill Milkowski, this is a story of musical redemption: as a white man in a field dominated by black musicians yet controlled by white industry magnates, he witnessed discriminatory decisions from both sides, but Buddhism and a bottomless well of creativity enabled him to transcend generational bitterness and devote himself single-mindedly to the center of his universe-his music.